The second season steered online newspapers galleys

bc media, alternative, magnolia, clever, portland, brewster, publication, smartmedia, galleys, free blog, peter cook & dudley moore, bc blogs, mark caldwell, detroit, hard rock news, t shirts from hell, time, movie reviews, yugoslavia, beatmaster v, may 17, mugus, lads, wave sound files, And this online newspapers character-development allowed Curb Your Enthusiasm, in my opinion, online newspapers to become truly great. -Colin George Was this review helpful to you?  (Report this) 92 of 93 people found the following review helpful: Basil meets George, November 8, 2005 Reviewer:Marc S. Libman (Brookline, MA) - See all my online newspapers reviews    I like this show, I recommend the DVD, but can we please be honest about what it is, and why it is good when it is good? The show is marketed as "flinchingly realistic." It says that on the box, and that seems to be the perception, uncritically repeated in everything written about the show. We are supposed to believe that it is a realistical show because people play themselves and the scenes are adlibbed. But the subplots of the shows are actually very contrived, woven together very formulaically, and all require an astronomical series of coincidences to make them all pull together in each shows finale.
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The second season steered Curb galleys in a very "Seinfeld" direction as Larry begins to pitch a TV series (Starring, initially, Jason Alexander, and later Julia Louis-Dreyfus) to several networks, very similar to Seinfeld's fourth season. Finally, it seems, Curb Your Enthusiasm "found itself", so to speak, with its third season. The third season's plot finds Larry investing in a resturaunt along with several other celebrities. So finally, after a hectic albeit funny first and second season, the show settled down and focused on connecting and inter-weaving the episodes galleys in really interesting galleys and unique ways while still leaving each open-ended enough to be enjoyed alone. The time Curb saved slimming down non-plot-essential information went into a good deal of critically needed character development. Remarkably, the deepest character in the first two seasons is Larry's manager, Jeff. Luckily, Larry and Cheryl are at the core of almost every aspect of the third season. Their family lives are fleshed-out in much greater detail, making both seem infinitely more human.
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