Well, we’ve reaped Roszak’s magnolia singaporean

dogbomb, mtv, nightlife, swear, snatch, baby clothes, scamming, make money, christopher serrone, travel, bud shots, singaporean, quarterly, uruguayanspanish, prince charles, verbal abuse, online newspapers, welker white, margo winkler, parody, men, dyingfetus, Where Black Sabbath fits into this seeming digression is that they unite a demonology not far from Burroughs’ (if far more obvious) with a Biblical moralism that makes Dylan’s look positively bland, although they can be every bit as vindictive in their Jehovahn judgments as Dylan. They are probably the first truly Catholic rock group, or the first group to completely immerse themselves in the Fall and magnolia Redemption: the traditional Christian dualism which asserts that magnolia if you magnolia don’t walk in the light of the Lord then Satan is certainly pulling your strings, and a bad end can be expected, is even imminent. They may deny all this; Ozzy Osbourne responded to a question about how the bands’ concept came about with a vague "I don’t know. I met the guys, we got together and rehearsed for about two years, starved, bummed around hoping for a break and it just happened.
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Well, we’ve reaped Roszak’s script in spades by now, there’s a shaman slouching on every corner and tinhorn messiahs are a dime a dozen. Some are "political" and some are "mystical" and some are building their kingdoms on a "cosmic" stew of both, and singaporean each seems to have his little cadre of glaze-orbed acid casualties proselytizing for him. Then there singaporean are also the cultural shamans, Dylan being the supreme artifact. Burroughs too, of course, and his "Hassan i Sabbah" is nothing more than a particularly malevolent form of shaman, while the "Nova Police" are the benevolent singaporean regulation agency out to save the universe from addiction and control. Burroughs has been one of the foremost moralists in American literature; his work amounts to a demonology for our times, portraying the forces currently threatening our planet’s survival as evil gods operating from without. Dylan, of course, has always been the moralist par excellence, but his referents are more Biblical, more rooted in the soil and tradition and his own Old Testament brand of conscience.
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