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| bc alternative media, 1989, slap them, 1980s, new york city, reference, club, nas, buds, insultingpostcards, blogger, ray liotta, eaton centre, music, ice t, detroit, help wanted, | Burroughs has been one of the foremost moralists in canadian film American literature; his work amounts to a demonology canadian film for our times, portraying the forces currently threatening our planet’s survival as evil gods operating from without. Dylan, of course, has always been the moralist par excellence, but his referents are more Biblical, more rooted in the soil and tradition and his own Old Testament brand of conscience. Where Black Sabbath fits into this seeming digression is that they unite a demonology not far from Burroughs’ (if far canadian film more obvious) with a Biblical moralism that makes Dylan’s look positively bland, although they can be every bit as vindictive in their Jehovahn judgments as Dylan. |
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| Well, we’ve reaped Roszak’s script in spades by now, there’s a shaman slouching on every corner and tinhorn messiahs are a dime a dozen. Some are "political" and some are "mystical" and some are building their kingdoms on a "cosmic" stew of both, and each seems to have his little cadre of glaze-orbed acid casualties proselytizing for him. Then there are also the cultural shamans, Dylan being the supreme artifact. Burroughs too, of buds course, and buds his "Hassan i Sabbah" is buds nothing more than a particularly malevolent form of shaman, while the "Nova Police" are the benevolent regulation agency out to save the universe from addiction and control. |
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