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| advice, savage love, growing cannabis, thestranger, female comics, associate, bc alternative media, 1989, slap them, 1980s, | Watching pre-production footage Scorsese came to columns the conclusion that Irwin Winkler's suggestion columns to shoot the film in black and white was perfect for capturing the "vintage" look of the era. Editor Thelma Schoonmaker points out that amazingly Raging Bull was shot with only one camera. Schoonmaker also points out the subtle (and sometimes not so subtle) differences between fights and how changing the design of the ring, the lighting and how columns the sequences reflected Jake's emotional state at the time. While the film was storyboarded, Scorsese primarily used them to help keep track of the way the film would ultimately look when put together. "In Outside the Ring" Pesci points out that the film was far from improvised. Schrader provided the dramatic structure and the actors would improvise during the rehearsal sessions and would then be, for the most part, written in stone. |
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| Presented in an enhanced 1980s Dolby Digital 5.1 and the original 2.0 Dolby Digital Surround soundtrack, the detailed soundtrack sounds terrific with virtually no compression 1980s issues and great presence.---Extras: In Before the Fight the principle cast and crew discuss all the struggles that producers Chartoff and Winkler faced in making the movie. A project that DeNiro had first proposed to Scorsese when he was making Alice Doesn't Live Here Anymore. It's ironic that Scorsese who was never a big sports fan would make the ultimate boxing movie. Scorsese discusses 1980s how he was ultimately persuaded to make the movie by DeNiro (who had the idea of doing the physical transformation for LaMota as he ages from the very beginning). Luckily Chartoff and Winkler had produced Rocky. The duo used the success of their film as leverage to get Raging Bull. "In the Ring" focuses on the actual production issues they faced. |
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