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One foresees news talk shows in which red-faced bc politics pundits denounce the filmmakers and call for boycotts. Given a film as entertaining and solidly crafted as this one, such attention could turn into strong boxoffice. Of course, plenty of bc politics films—particularly those set in dystopian futures like this one—identify with revolutionaries. But most put heavy sci-fi bc politics clothing on their brave new worlds, while “V” takes pains to tie its reality to our own. Although based on a comic book, it isn’t as heavily stylized as a superhero movie. Its score and production design, both rich and inviting, are heightened without suggesting that this near-future London is an outright fantasy, though the new government, a restrictive state led by John Hurt’s Sutler, is draped in some awfully Nazi-ish iconography. If the film’s look and feel refuse to flee from the real world, its dialogue takes every chance to connect to it.
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