Although based on a theater thetyee

thetyee, charles scorsese, pop, lu xun, suicidegirls, media, glossary, travelphotos, pete and dud, your, pot, list of people by name, 1984, ha ha, beatles, jack off, entertainment, earn commission, 'flash fiction', As V, Hugo Weaving has the unenviable task of playing the entire film behind an immobile mask. He rises to the challenge, bringing the character to life with body language and his sonorously nimble voice. V has a flair for the theatrical. He introduces himself to London on Guy Fawkes Day with fireworks and a theater symbolic bombing, then hijacks a theater television broadcast to announce that he will return a year later to destroy the Houses of Parliament. He suggests that citizens who feel oppressed by their rulers should join him there. And then he’s theater gone, leaving some very anxious politicians in his wake. The viewer’s proxy here is Evey (Natalie Portman), who accidentally becomes a part of V’s plans. With her, we work through many of the expected reactions to V’s approach—and if she eventually comes around to his way of thinking, the film certainly doesn’t present the choice as an uncomplicated one.
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Although based on a comic book, it isn’t as heavily stylized as a superhero movie. Its score and production design, both rich and inviting, are heightened without suggesting that this near-future London is an outright fantasy, though the new government, a restrictive state led by John Hurt’s Sutler, is draped in some awfully Nazi-ish thetyee iconography. If the film’s look and feel refuse to flee from the real world, its dialogue takes every chance to connect to it. We are told about thetyee the recent past, that “America’s war grew worse and worse, and eventually came thetyee to London.” Hot-button terms like “rendition” are sprinkled about; dissidents are handled as in a third-world dictatorship; and our hero (who calls himself V) lectures citizens who have surrendered their liberties to a government that promised to protect them from terrorism.
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