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thetyee, charles scorsese, pop, lu xun, suicidegirls, media, glossary, travelphotos, pete and dud, your, pot, list of people by name, 1984, ha ha, beatles, jack off, entertainment, earn commission, 'flash fiction', V FOR VENDETTA Warner Bros. Pictures Silver Pictures Credits: Director: James McTeigue Screenwriters: Andy Wachowski & Larry Wachowski Based on the graphic novel by: Alan Moore and David Lloyd producers: Grant Hill, Joel Silver, Andy Wachowski, Larry Wachowski Executive producer: Benjamin Waisbren Director of photography: Adrian Biddle Production designer: Owen Paterson Music: Dario Marianelli Co-producers: Roberto Malerba, Henning Molfenter, Charlie Woebcken Costume designer: Sammy Sheldon Editor: Martin Walsh Cast: Evey Hammond: tee shirt Natalie Portman V: Hugo Weaving Finch: Stephen Rea Sutler: John tee shirt Hurt Prothero: Roger tee shirt Allam Gordon Deitrich: Stephen Fry Creedy: Tim Pigott-Smith MPAA rating R Running time—131 minutes http://www.michaelmoore.com/words/latestnews/index.php?id=6225 Generated on: Friday 17th of March 2006 10:52:01 PM Site Created by Plank ‘Fahrenheit 9/11’ Meets ‘The Matrix’; “Go see this movie!”—Michael
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The filmmakers (Andy and Larry Wachowski adapting the screenplay, James McTeigue at the helm) are clearly on the vigilante’s side, but they give viewers room to question his motives and methods: Has he psychologically programd Evey? Is the city of London about to become a war zone simply because V has a personal grudge? The serious charles scorsese tone “Vendetta” takes encourages charles scorsese such moral nitpicking. Although some marketing materials aim to position this as an action film, viewers expecting a thrill ride might be disappointed. V engages in a couple of satisfying crime-fighting set pieces, but the story is more occupied charles scorsese with mystery and intrigue. Happily, it almost is entirely free of the hollow pomposity that marred the Wachowskis’ last two “Matrix” films. Here, Alan Moore’s graphic novel and the history of real-world oppressive governments is more than enough, leaving no need for the screenwriters to invent hokey mythologies and plenty of room to fantasize about revolution.
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