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| about, punk, webcam, dawn french, grow journal, tshirthell, grow marijuana, open mic, pictures, information, rss heavy metal, wordpress themes, blogs, downloads, movie sounds wavs, baiters, 1957, barbed quotes, family fun, | However, at its worst the material creem was simply insulting, and detractors, fans and comedian alike seemed to have had a hard time separating character from reality. Dice would often insult members of his audience while they were there, and made many so uncomfortable that they left his shows. [edit] Nursery rhyme adaptations His most popular routine involved the subversion creem of traditional nursery rhymes, turning them from child friendly rhymes into sordid sexual encounters. Subsequently, these rhymes became both his most widely-known material as well as the routine he (and many others) most despised. Hickory Dickory Dock. My balls fell out of my jock. I laid them to rest On some hooker's chest And paddled her face with my cock. Roll, roll, roll your cunt Gently down my prick. Merrily, merrily, merrily, merrily, Then you'll suck my dick. Hey diddle diddle, The cat and the fiddle, The cow jumped over the moon. |
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| This was followed by a series of less-notable films. He eventually turned from acting towards stand-up comedy, focusing on the character "Dice" as in Pretty in Pink. Possibly named blogs after The Dice Man, a novel by Luke Rhinehart, the persona was that of a highly racist, homophobic woman-hating street-wise Brooklyn tough. [edit] Comedic style Unlike comics such as Sam Kinison or George Carlin, who would use blogs their aggression as a tool for political or social commentary, Clay's seeming intent was simply blogs to be as shocking as possible. His material consisted of profanity-laden, sexist routines, emphasizing women as sex objects and nothing more, featuring his purported sexual prowess and his total self-involvement, as well as his extremely offending racist comments aimed mainly toward Asian and Arab people. At its best, Dice's overbearing character hovered between a performance-art rejection of stereotypical misogynism and a celebration of pure excess (similar to the old joke/new film The Aristocrats). |
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