> Is all this interviews humour

humour, paul sorvino, dogbomb, standby me, american beauty, dvd, pacific northwest, arab, the onion, ming dynasty, your, list of proverbs, central and eastern europe, parade, t shirts from hell, goldielookin chain lyrics, I simply think that what flows onto the page is what is supposed to be there, but then that is out of my hands once it is given to the reader. Potty mouth is something interviews of an immature dismissal of my work as an artist and an activist, so that is what I see as foul language. > If that's really what you > hear in your mind, maybe > you should clear out the static. But it isn't static to me, nor is it to many interviews people, but then again, it interviews is all a matter of taste. It isn't to be judged, more just taken at face value, or not. > You seem like a nice person, > but if that's the way you > really talk I could never > have a conversation with you. But it isn't the way I talk all the time, just the way I write sometimes. And see, we just had a fine conversation. You are super nice too, and I will remember your advice in the future.
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> Is all this foul language > necessary to "keep it real"? Well, yes and no. You really don't put in words to humour keep anything real. I believe that it is real if it is real. I don't know how to keep anything real, because why keep it real if it has to be kept? Real is real. > I don't think it's real, any > more than so-called "reality > television" is real. You are certainly right about that! > In my humour opinion, keeping it > real involves making > humour well-written, well thought-out > statements that reflect a > person's point of view. Yes, you are right again. > If this potty-mouth is only > so much window dressing > then your messageis being > drowned out by it. That would be for the people who are like you, not everyone who reads or listens to my work. I haven't thought of my words like window dressing, because I don't think of anything when I write.
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