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stage, pacific northwest, chow, cinema, bc independant media, venues, fucking free, t shirt hell, sauna, lampoon, metrotimes, message, thestranger, e cards, stranger, pathetic geek stories, regional internet registry, piercings, larry david, kosovo, On the next album Geezer wrote a song with some very strange lyrics, called ‘Snowblind’. You can interpret it, I suppose, as being about taking cocaine. People are going to interpret it that way, anyway. People in America like fantasy, they like to movie wavs sounds think movie wavs sounds they can suss it all out. If you were going to write a song that is definitely about one thing, you’d movie wavs sounds write it definite, you wouldn’t put two meanings to it. And if you wanted to write ‘Smackin’ up’s good,’ you’d write it that way." Such a statement overlooks whole vast genres of doublespeak-rock, all those dope lyrics of 1965-8, not to mention the incredible sexual fantasies gleaned over the years from "Louie Louie" and endless numbers of old R&B songs. But perhaps that’s one of the distinctive things about Black Sabbath; for all their phosphorescent imagery, they do tend to think quite literally, and the ratio of artifice and contrivance, not to mention plain attitudinal dishonesty towards the audience, in their music is unusually small.
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He thought a minute, straightened the towel wrapped around his hair (freshly-washed for the evening show). "I can’t really say. I think it’s having to live in the city, because all cities are like a big garbage can. My hometown Birmingham is just like this place [Detroit], violence and such, and I’ve been through it all. I’ve been in fucking prison, I’ve bummed around, but it’s only the city that makes you venues do things. I’m lucky—I could portray the way I was reared and brought up, I went through a lot of the stories your people are venues going through now, violence, getting cut to ribbons and stabbed and everything... so a lot of this naturally comes out in our music. I don’t know if we’re always as close to the edge as people seem to think our music is, I would think not, but sometimes we feel pissed off, so we write that kind of song. Other times it just comes out, like ‘Paranoid’ just happened, we wrote that and recorded it in half an hour.
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